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Marges
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http://hub.abes.fr/cairn/periodical/marg/m/print
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http://hub.abes.fr/cairn/periodical/marg
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of
http://hub.abes.fr/cairn/periodical/marg/2003
http://hub.abes.fr/cairn/periodical/marg/2004
http://hub.abes.fr/cairn/periodical/marg/2005
http://hub.abes.fr/cairn/periodical/marg/2007
http://hub.abes.fr/cairn/periodical/marg/2008
http://hub.abes.fr/cairn/periodical/marg/2009
http://hub.abes.fr/cairn/periodical/marg/2010
http://hub.abes.fr/cairn/periodical/marg/2011
http://hub.abes.fr/cairn/periodical/marg/2012
http://hub.abes.fr/cairn/periodical/marg/2013
http://hub.abes.fr/cairn/periodical/marg/2014
http://hub.abes.fr/cairn/periodical/marg/2015
http://hub.abes.fr/cairn/periodical/marg/2016
http://hub.abes.fr/cairn/periodical/marg/2017
http://hub.abes.fr/cairn/periodical/marg/2018
http://hub.abes.fr/cairn/periodical/marg/2019
http://hub.abes.fr/cairn/periodical/marg/2020
http://hub.abes.fr/cairn/periodical/marg/2021
is
is part of this journal
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Art as knowledge?
Interactive Art and Pre-cinema : Parallel and Hybrid Relational Modes
School World and Art World… What are the Practices, Interactions and Problems Related to the Actual Presence of Dancers in Classrooms?
An Immersion in the Ruins of Passaic: the Creative Role of Fiction in the Perception of Monuments
http://hub.abes.fr/cairn/periodical/marg/2013/issue_marg017/D33CDC7CA39045D0E053120B220A6050/w
Conceptual Art does not exist
Immobility and fragmentation, presence and memory : suspended times of the Factory
From contemporary apparatus to a cartographic “dispositif”
Following Piece : a posteriori of an indexical “dispositif”
« Raid the Icebox 1, with Andy Warhol » and Institutional Critique : the Origins of Museum Interventions
http://hub.abes.fr/cairn/periodical/marg/2016/issue_marg023/D33BF7C392633F33E053120B220A1712/w
http://hub.abes.fr/cairn/periodical/marg/2017/issue_marg024/D33B226349D4365BE053120B220A002A/w
http://hub.abes.fr/cairn/periodical/marg/2018/issue_marg027/D33A875D39ED3141E053120B220A8DC9/w
http://hub.abes.fr/cairn/periodical/marg/2018/issue_marg027/D33AF39D3FE434E0E053120B220A2036/w
http://hub.abes.fr/cairn/periodical/marg/2018/issue_marg027/D33DD5A0D5134D45E053120B220AEEE1/w
http://hub.abes.fr/cairn/periodical/marg/2019/issue_marg028/D33D7A217CAB4ABCE053120B220A3B9D/w
http://hub.abes.fr/cairn/periodical/marg/2019/issue_marg029/D33C30FFCA7340A8E053120B220AFA35/w
Photographs of Paris by Czech Surrealists as Evidence of a Shared Memory of Surrealism
http://hub.abes.fr/cairn/periodical/marg/2003/issue_marg001/D33BEFF8BD283ECBE053120B220A73DC/w
Art and Cognition
Postmodern Art Seen as a Reactionary Ideology. A Symptom of an Intellectual Rejection of Contemporary Art
http://hub.abes.fr/cairn/periodical/marg/2004/issue_marg003/D33A4FEF95442F6EE053120B220A2D66/w
http://hub.abes.fr/cairn/periodical/marg/2004/issue_marg003/D33C952C56F243C1E053120B220AB9BB/w
http://hub.abes.fr/cairn/periodical/marg/2007/issue_marg005/D33DD5A0CF124D45E053120B220AEEE1/w
http://hub.abes.fr/cairn/periodical/marg/2009/issue_marg009/D33CDC7CEDC145D0E053120B220A6050/w
http://hub.abes.fr/cairn/periodical/marg/2010/issue_marg011/D33B7AEBC8CE3B3FE053120B220AEA21/w
http://hub.abes.fr/cairn/periodical/marg/2011/issue_marg013/D33A400B7A962F5FE053120B220A4740/w
Artistic Competence, Reception and Democratization
Jimmy Durham, Critic of the Native Artist
http://hub.abes.fr/cairn/periodical/marg/2013/issue_marg016/D33D7A2190494ABCE053120B220A3B9D/w
http://hub.abes.fr/cairn/periodical/marg/2013/issue_marg017/D33D7A2163F64ABCE053120B220A3B9D/w
Thinking by material in design. Normal Studio, Martin Szekely, Konstantin Grcic
http://hub.abes.fr/cairn/periodical/marg/2014/issue_marg018/D33C0F3D00003FB1E053120B220AEB7F/w
And Europe Will Be Stunned… by Yael Bartana. Between an esthetic manifesto and a manifesto esthetics
From the West to China, a study of the expression “abstract art” in its global context
http://hub.abes.fr/cairn/periodical/marg/2017/issue_marg025/D33A400B7E602F5FE053120B220A4740/w
Symphony for a Genocide. Industrial Music and Totalitarianism
Thinking Art : Art Historians Turn to Conceptual Art
http://hub.abes.fr/cairn/periodical/marg/2018/issue_marg027/D33CDC7D199445D0E053120B220A6050/w
http://hub.abes.fr/cairn/periodical/marg/2019/issue_marg028/D33C952C43DB43C1E053120B220AB9BB/w
http://hub.abes.fr/cairn/periodical/marg/2019/issue_marg029/D33CD4D7B57245A1E053120B220AC647/w
Supports/Surfaces or the teaching of painting
http://hub.abes.fr/cairn/periodical/marg/2020/issue_marg031/D33B7AEBE4413B3FE053120B220AEA21/w
Film / of / slides. The ’Blackout’ exhibition, or Kodak’s Carousel’s hybridity
Execution, Actualisation: Remarks about the Public’s Roles in the Activation of Works of Art
http://hub.abes.fr/cairn/periodical/marg/2007/issue_marg006/D33BBAF2BB8F3D4DE053120B220A344A/w
http://hub.abes.fr/cairn/periodical/marg/2008/issue_marg007/D33A875D1B623141E053120B220A8DC9/w
http://hub.abes.fr/cairn/periodical/marg/2010/issue_marg010/D33A4FEFD5412F6EE053120B220A2D66/w
http://hub.abes.fr/cairn/periodical/marg/2010/issue_marg010/D33B19F5C3DB3606E053120B220A0F4F/w
http://hub.abes.fr/cairn/periodical/marg/2011/issue_marg012/D33B7AEBD41C3B3FE053120B220AEA21/w
Practices of the Site; An Ecology of the Place
http://hub.abes.fr/cairn/periodical/marg/2012/issue_marg015/D33A400B54DF2F5FE053120B220A4740/w
Huang Yong Ping and Contemporary Art
http://hub.abes.fr/cairn/periodical/marg/2013/issue_marg016/D33B19F5BAFD3606E053120B220A0F4F/w
http://hub.abes.fr/cairn/periodical/marg/2013/issue_marg016/D33BEFF8C2923ECBE053120B220A73DC/w
From Dieter Roth to Michel Blazy: questions about procotol
What the reenactement does to the choreographic work / Invention and subversion
http://hub.abes.fr/cairn/periodical/marg/2014/issue_marg019/D33A14C541222E15E053120B220A6889/w
Understanding modern cinema manifestos: towards a contemporary definition of the political
Interview of Kamil Guenatri (Le Terrasse)
Theoretical Knowledge and Speechmaking in Art Schools
The Grand Narrative of Institutional Critique
Local writings, global readings. Brazilian art and architecture in specialist reviews (1943-1964)
http://hub.abes.fr/cairn/periodical/marg/2017/issue_marg024/D33A400B79C42F5FE053120B220A4740/w
http://hub.abes.fr/cairn/periodical/marg/2017/issue_marg024/D33B22633BFD365BE053120B220A002A/w
http://hub.abes.fr/cairn/periodical/marg/2018/issue_marg026/D33B7AEBE22C3B3FE053120B220AEA21/w
http://hub.abes.fr/cairn/periodical/marg/2019/issue_marg029/D33A400BAAC82F5FE053120B220A4740/w
http://hub.abes.fr/cairn/periodical/marg/2019/issue_marg029/D33B22638C75365BE053120B220A002A/w
http://hub.abes.fr/cairn/periodical/marg/2020/issue_marg030/D33A14C5438B2E15E053120B220A6889/w
http://hub.abes.fr/cairn/periodical/marg/2020/issue_marg030/D33A400B900E2F5FE053120B220A4740/w
http://hub.abes.fr/cairn/periodical/marg/2020/issue_marg030/D33A875D16B33141E053120B220A8DC9/w
Hollywood’s B movies seen through art history and fine arts
http://hub.abes.fr/cairn/periodical/marg/2005/issue_marg004/D33B22637D1F365BE053120B220A002A/w
Art and Ethnography
http://hub.abes.fr/cairn/periodical/marg/2008/issue_marg008/D33A875CFB033141E053120B220A8DC9/w
http://hub.abes.fr/cairn/periodical/marg/2010/issue_marg010/D33CD4D7C2C245A1E053120B220AC647/w
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